Tennessee Dixon

PROVENANCE: Courtesy of the Artist

This and a group of other storybook-like drawings are connected to cut out text poems exploring ideas around the boundaries of self and the cultural fabric

“my path of self-conviction or to be more precise a lack of conviction toward other, another,
which is not I, my, “mono”, an ideology, principle of I am, but case i.e. S. 8:167, “Moses and I
may at times go fishing”, What am I talking about there? My own fishing. it seems I have lost
track. What does it mean such collective matters as fairy tales”.

Tennessee Dixon  has worked in a range of media – poetry, drawings, prints and artists books, interactive-media including SCRUTINY IN THE GREAT ROUND (CD-ROM published internationally), interactive-video with choreographers Yin Mei – CITY OF PAPER (Jacobs Pillow) and Ivan Angelus – VU (Trafo, Budapest), and komungo master Jin Hi Kim – DONG DONG-TOUCHING THE MOONS (a lunar ritual of music, dance and animation – touring production). Recent theatrical set-projection design credits include RICHARD 3.0 (Synetic Theatre), END OF WAR, IN MY CHAIR (Virginia Repertory Theatre), PRELUDES, UBU84 (Firehouse Theatre), GLASS MENAGERIE (5th Wall), TRANSCRIPTS (Richmond Triangle
Players).