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Lorna Simpson

Lorna Simpson
Typical, 2019
Collage on paper
11 x 8 1/2 in.(27.9 x 21.6 cm)
12 1/2 x 10 x 1 1/2 in. (31.8 x 25.4 x 3.8 cm) (framed)
© Lorna Simpson
Courtesy of the artist and Hauser & Wirth
Photo: James Wang

Retail Price: $30,000

Estimate: $25,000-35,000

Provenance:  Courtesy of the Artist and Hauser & Wirth

Born in Brooklyn, Lorna Simpson came to prominence in the 1980s with her pioneering approach to conceptual photography. Simpson’s early work – particularly her striking juxtapositions of text and staged images – raise questions about the nature of representation, identity, gender, race and history that continue to drive the artist’s expanding and multi-disciplinary practice today. She deftly explores the medium’s umbilical relation to memory and history, both central themes within her work.

Studying on the West Coast in the mid-1980s, Simpson is part of a generation of artists who utilize conceptual approaches to undermine the credibility and apparent neutrality of language and images. Her most iconic works from this period depict figures as seen only from behind or in fragments. Photographed in a neutral studio space, the figures are tied neither to a specific place nor time. Drawing upon a long-standing interest in poetry and literature, the artist accompanies these images with her own fragmented text, which is at times, infused with the suggestion of violence or trauma. The incredibly powerful works entangle viewers into an equivocal web of meaning, with what is unseen and left unsaid as important as that which the artist does disclose. Seemingly straightforward, these works are in fact near-enigmas, as complex as the subject matter they take on.

Over the past 30 years, Simpson continues to probe these questions while expanding her practice to encompass various media including film, painting, collage and sculpture. Her recent works incorporate appropriated imagery from vintage Jet and Ebony magazines, found photo booth images, and discarded Associated Press photos of natural elements – particularly ice, a motif that appears in her sculptural work in the form of glistening blocks made of glass. The new work continues to immerse viewers in layers of paradoxes, threading dichotomies of figuration and abstraction, past and present, destruction and creation, and male and female. Layered and multivalent, Simpson’s practice deploys metaphor, metonymy, and formal prowess to offer a potent response to American life today.

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